Reality is rarely compartmentalized into the rigid structure of a three-minute pop song. Recalling the full beauty of a painting or a landscape can’t be related without losing the finer details. Longer compositions, it seems, make for music that’s most representative of mother nature.

Kakitani’s chosen medium is big band, and how better to convey nature’s complexities than with a 20-person band? Unlike many prodigious jazzers, Kakitani wasn’t heading down this path from age 18 and on. True, she became infatuated with hard bebop around this age, but nevertheless toiled around different genres before landing at Berklee School of Music at age 26.